
A new exhibit takes visitors to a time when the Village was both the center and the cutting edge of American Culture.
Peter Hujar’s Underground New York
New York in the ’60s, ’70s and ’80s was un-soiled by gentrification and alive with the energy of sexual, activist…
Review: ‘Trigger: Gender as a Tool and a Weapon’
New Museum
235 Bowery
Through Jan. 21
Art and Dissent at the Whitney
Contemporary political theorist Chantal Mouffe argues that all art is inherently political in that all aesthetic forms can be…
Reviewed:
‘Proof: Francisco Goya, Sergei Eisenstein, Robert Longo’
Brooklyn Museum | brooklynmuseum.org
Through Jan. 7
“Expanded Visions: 50 Years of Collecting”
Leslie-Lohman Museum of Gay & Lesbian Art
leslielohman.org
Through Oct. 29
Exposing America’s Legacy of Racial Terror
‘The Legacy of Lynching: Confronting Racial Terror in America’
Brooklyn Museum
Thru Oct. 8
Radical. Black. Feminist. Visionary.
At first, Emma Amos’s Flower Sniffer (1966) doesn’t seem all that confrontational. In this piece, Amos paints herself as…